Modern Masters Biographies
Modern Masters Biographies
born 19 April 1932, is a Colombian figurative artist and sculptor. Born in Medellín, his signature style, also known as "Boterismo", depicts people and figures in large, exaggerated volume, which can represent political criticism or humor, depending on the piece. He is considered the most recognized and quoted living artist from Latin America, and his art can be found in highly visible places around the world, such as Park Avenue in New York City and the Champs-Élysées in Paris.
Self-titled "the most Colombian of Colombian artists" early on, he came to national prominence when he won the first prize at the Salón de Artistas Colombianos in 1958. Working most of the year in Paris, in the last three decades he has achieved international recognition for his paintings, drawings and sculpture, with exhibitions across the world. His art is collected by many major international museums, corporations, and private collectors. In 2012, he received the International Sculpture Center's Lifetime Achievement in Contemporary Sculpture Award.
30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great contemporary portraitists.
He was born to a modest family in 1746 in the village of Fuendetodos in Aragon. He studied painting from age 14 under José Luzán y Martinez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773; their life was characterised by an almost constant series of pregnancies and miscarriages, and only one child, a son, survived into adulthood. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo style tapestry cartoons designed for the royal palace.
Salvador Dalí was born on May 11, 1904, in Figueres, Spain. From an early age, Dalí was encouraged to practice his art and would eventually go on to study at an academy in Madrid.
In the 1920s, he went to Paris and began interacting with artists such as Picasso, Magritte and Miró, which led to Dalí's first Surrealist phase. He is perhaps best known for his 1931 painting The Persistence of Memory, showing melting clocks in a landscape setting. The rise of fascist leader Francisco Franco in Spain led to the artist's expulsion from the Surrealist movement, but that didn't stop him from painting. Dalí died in Figueres in 1989.
Pablo Ruiz y Picasso, also known as Pablo Picasso, was a Spanish painter, sculptor, printmaker, ceramicist, stage designer, poet and playwright who spent most of his adult life in France. He was was one of the most prodigious and revolutionarys artists in the history of Western painting. As the central figure in developing cubism, he established the basis for abstract art.
Russian painter Marc Chagall was one of the great masters of the School of Paris. He was also praised as an influence on surrealism, a twentieth-century artistic movement that expressed the subconscious in wild imagery. His life and art together added up to this image of a lonesome visionary, a citizen of the world with much of the child still in him, a stranger lost in wonder—an image which the artist did everything to cultivate. Profoundly religious and with a deep love of the homeland, his work is arguably the most urgent appeal for tolerance and respect of all that is different that modern times could make.
Theo Tobiasse. Israeli artist Theo Tobiasse was born in Palestine in 1927 and brought to Paris as a child. He created his earliest drawings before World War II, and spent the crucial years of his youth hiding from the Nazis in a Paris apartment. After the war he became a successful commercial designer until 1961 when he decided to devote his full attention to painting. Theo Tobiasse's style of painting is highly sophisticated. Tobiasse's technique is a painterly blend of surrealism, expressionism, and modern primitivism. His themes are literary, often biblical, and at times erotic. Tobiasse paintings seem to transcend history - fusing dreams, mythologies, biblical stories and his own past - into rich metaphors for the world of the present.
Nicola Simbari is considered by many to be Italy's most important modern artist. Using stunning colors and favoring brilliant tones, he paints with a palette knife and achieves great depth with this technique. Simbari's paintings are full of light and energy. Simbari's works can be found in numerous museums and private and corporate collections around the world. His paintings are in collections including the Bank of Tokyo and the Christian Dior Collection in Paris; Italian State Railways in Rome; Liberty Company in London; and Tulsa Bank of Commerce, Cincinnati Fine Arts Department, Exxon Corporation, General Mills Corporation,and Pepsico, in America.
illustrator of the 1920s and creator of visual spectacle for French music-hall revues. His designs included dresses and accessories for women; costumes and sets for opera, ballet, and dramatic productions; and posters and prints. (His byname was derived from the French pronunciation of his initials, R.T.)
Erté was brought up in St. Petersburg. In 1912 he went to Paris, where he briefly collaborated with Parisian couturier Paul Poiret. He then became a costume designer and began selling his pen-and-ink and gouache fashion illustrations to American fashion houses. From 1916 to 1937 he was under contract to the American fashion magazine Harper’s Bazaar. (A collection of Harper’s Bazaar illustrations was published in Designs by Erté  with text by Stella Blum.) His highly stylized illustrations depicted models in mannered poses draped in luxurious jewels, feathers, and soft, flowing materials against a background of interiors in the Art Deco style.
The same lavish style marked Erté’s theatrical designs. For 35 years he designed elaborately structured opening tableaus, finale scenes, and costumes for the French theatre. He worked for the Folies-Bergère in Paris from 1919 to 1930. During the 1920s he costumed the performers appearing in such American musical revues as the Ziegfeld Follies and George White’s Scandals. In the 1960s Erté produced lithographs, serigraphs, and sheet-metal sculptures. His autobiography, Things I Remember, was published in 1975.